Category: NYC

A cohort of Columbia students have reached the semifinals for the The CommonBond Social Impact Award. The award, along with its financial components, is to help foster a new generation of social entrepreneurs.

Photo Courtesy of StreetMate team

Photo Courtesy of StreetMate team

The idea behind StreetMate is to help offer connections to ensure every homeless person can access a bed to stay in at night. From their team description:

StreetMate: Recognizing that 70% of homeless individuals have smartphones, and that with the creation of LinkNYC all will soon have easy access to the internet, we’ve created a webapp that allows anyone to find and access a shelter that’s guaranteed to accept them after just four simple questions. We ensure that NYC’s homeless are only a few taps away from a warm bed.

If the team is in the top 3 teams in terms of the number of votes, they could receive $10,000 in funding to develop the app and deploy it to people throughout the city.

Voting ends at midnight on Friday, June 29th.

To support the StreetMate team, simply fill out the voting form here.

If you would like share information about the competition, team member Michael Pusic (CC ’19) shared the following blurb with our team:

A friend of mine created an app to make information about homelessness services easily accessible, and we just made it into the semi-finals of a national competition for social start ups. To get to the final (and to get funded), he needs to have the top 3 amount of votes, so lets help out by going on the link below and voting for StreetMate. It just takes a second (only name & email) and it’d make a big difference. Thanks so much!

http://woobox.com/3bgoz9/gallery/4Ghy7AyMTgY

Christy Altomare and company of Anastasia. Photo Courtesy of Joan Marcus.

 

When the long-anticipated Broadway adaptation of the cartoon classic Anastasia (1997) debuted under the bright lights of the Broadhurst Theatre, the audience was tightly packed and diverse: thick Eastern European accents were offset by the squeals of American women in their teens and early 20s, eagerly anticipating their favorite story brought to life. Indeed, all of the audience members were likely intimately familiar with some form of the story behind Anastasia— whether the “true” history of the ill-fated Tsarevna Anastasia Nikolaevna, allegedly murdered by the Cheka (Bolshevik secret police) in 1918, or the whimsical tale of 20th Century Fox’s “Anastasia Romanov(a),” with its talking bat and mad villain Rasputin hunting the Romanov family to near-extinction, with its train crashes and hexes and wild run to the streets of Paris— but few could predict what would happen when the lights grew dim and these two stories intersected in a new translation of the classic tale.

With the introduction of Anastasia to the stage, Rasputin gave way to the Russian Revolution of 1917 (specifically the February Revolution and the fall of Winter Palace) and the rising Russian Communist movement; the new adaptation brought new “villains” to the story. But as Anastasia grew closer to real life, so did its conflict. Instead of employing the black and white morality shown in the movie, the Broadway play Anastasia thoroughly developed its villains and their drives. This idea of gray-moral conflict was embodied by the well-rounded character development of the main antagonist Gleb (Ramin Karimloo), who faced a moral dilemma threatening his identity even as Anastasia came to recognize her own.

Despite these major changes to the plot, the majority of the characters and music that made Anastasia the movie a success remained in the play. In fact, not only were iconic songs like “Learn to Do It,” “Journey to the Past,” and “Once Upon a December” beautifully rearticulated, but also the original songs like “My Petersburg” performed by Dmitry (Derek Klena) and “Stay, I Pray You,” which featured nearly the entire cast, were instrumental in exposing the raw nerve endings of a country torn apart by revolution and giving new depth to the characters.

“Stay, I Pray You” was a particularly timely addition for today’s audiences, given its thematic focus on the struggles of leaving a war-torn country to seek refuge away from one’s home. Dmitry and Anya (Anastasia) may have been full of hope, but they, along with the refugees they accompanied, still called:

Stay, I pray you.

Let me have a moment,

Let me say goodbye;

Harsh and sweet

And bitter to leave it all,

I’ll bless my homeland

Till I die.

The eyes of the cast at this point twinkled with tears in the bright stage lights. The audience was not immune from the sudden onset of emotions.

Anastasia is inherently self-aware: a nostalgic story centered around nostalgia; a story about respecting the past while growing to make new decisions respecting its past and growing into new decisions. And for the audience members not satisfied by this balance of whimsy and historical realism, a near-topless Derek Klena and a bejeweled Tsarina, stunning graphics that expanded the small stage into a platform crossing international boundaries and spectacular Russian choreography filling the stage in thrusting limbs and fluttering skirts— these seemed to have been enough of a distraction from defamiliarizing plot elements.

In the course of the night, very few technical or performative issues arose. The opening of the first scene, featuring a young Anastasia and her Grandmother the Grand Duchess as the Grand Duchess says goodbye before departing to Paris, was a bit choppy, seeming to be a near-direct quotation of the movie lacking the vivid character of the rest of the play, and Ramin Karimloo (Gleb) sounded slightly nervous at the play’s start; that is, Karimloo’s first two vocal performances were a bit more breathless than breathtaking. However, these minor issues were quickly eclipsed by the interactions between the young Anastasia and her family, the collapse of the Grand Duchess at the news of their deaths (a tear-jerking performance), and Karimloo’s heart-stopping second reprise of “A Simple Thing,” in which his voice persisted where many other actors would have failed.

Altogether, Anastasia overshot all expectations of success and managed a seemingly impossible feat with its reconciliation of history with fantasy. Its near-perfect opening performances can only improve as the actors and actresses continue to bring the streets of Leningrad (ne Saint Petersburg) to our very own West 44th Street, between 7th and 8th Aves.

The Columbia bubble is a beautiful place, but sometimes you just need to get out and explore. While everyone here at the Lion loves Columbia Blue, sometimes a little NYU purple is exactly what you need when that bubble gets  claustrophobic.

Transportation:

First , before you can explore NYU, you have to know how to get there. As NYU does not have a campus, different areas of the university are closer to different subway stations, so knowing where exactly you want to go can be helpful for saving time. There are four main stops near the NYU area:

  • Astor Place

A stop on the 6 train, Astor Place is the closest station to the Tisch School of the Arts. It is, however, a bit of a hassle to get to from Columbia. If you’re up for the challenge, though, you can take the downtown 1 from Columbia to Times Square-42nd St. (or you can take the express 2 or 3 there by switching at 96th). Then, at Times Square, you can transfer to the downtown/Brooklyn-bound N, Q, R, or W trains and take that to 14th St.-Union Sq. There, you can finally catch the downtown/Brooklyn-bound 6 to Astor Place.

  • 8th St.-NYU

Located off the NE corner of Washington Square Park, the 8th St.-NYU station is very close to Astor Place and is much easier to get to. To get to this stop, you can take the downtown 1 from Columbia to Times Square-42nd St (or you can take the express 2 or 3 there by switching at 96th). Then, once you’re at Times Square, you transfer to the downtown/Brooklyn-bound W or R and get off at 8th St.-NYU. Easy-peasy!

  • W 4th St.

Located off the SW corner of Washington Square Park, W 4th St. is the NYU stop for the A, C, E, B, D, F, and M trains. To get here from Columbia, you take the 1 downtown to Columbus Circle-59th St., where you can then transfer to the downtown A, B, C or D, which takes you to W 4th. Then, ta-da! You’re in the land of the purple!

  • Christopher St.

The station that involves the least amount of transfers to get to, Christopher St. is located directly off the 1. Simply take it downtown from Columbia, and you’ll get there eventually. The 1 is local, though, so do take some class readings with you to get done on the train. You can always transfer to the 2 or 3 if you’d rather go express, but you have to remember to transfer back to the 1 at 14th St. so you can arrive at Christopher St.

 

Local Events:

Since NYU is located around Washington Square Park, there are often many things happening in this area. From parades to markets to protests, there is always something new to see or do. Facebook is often a great resource for finding out about these events, especially the unofficial ones. For sponsored events, though, you can check out these sites:

http://washingtonsquareparkconservancy.org/events/

http://www.washingtonsquarenyc.org/events/

 

Food:

Making the trek to Greenwich Village can be taxing, which means sustenance is essential for making it back to Morningside Heights. Depending on your budget, there are different food options available to you

Cheap Eats:

  • Papaya Dog is a great option if you’re in the mood for greasy food, and it’s cheap if you’re worried about not having enough money to buy textbooks next semester. Their hot dogs and fries will satisfy your craving for a midnight snack, especially since they’re open until 3 am.
  • Located by the W 4 station, Anton’s Dumplings are just like Grandma’s according to the New York Times. And if you’re a fan of Broadway, they’ve even got a special menu based off of Natasha, Pierre, and the Great Comet of 1812.
  • The Traditional Chinese Food Cart often parks itself near Bobst to feed the many hungry NYU students who have classes nearby. Known for their fried rice, they offer large portions for affordable prices, but make sure you have cash on hand because they don’t accept credit or debit cards.
  • Highly praised by various publications, NY Dosas will satisfy your hunger with its vegan creations. Make sure to check this food cart’s Facebook and Twitter, though, to see if it’s in the area before you go.
  • While you can also get this filling meal near Columbia, you can never go wrong with halal. There are quite a few places to get halal around NYU, but if you’re near W 4, Sammy’s Halal is critically acclaimed for their food.
  • If you’ve got friends who go to NYU, you can always mooch off their meal plan. It’s by far the cheapest way to eat, and their meal swipes can get you a chicken sandwich or an eight count of nuggets with fries and a drink at Chick-fil-a.

Not too cheap, not too expensive:

  • With relatively cheap ribs and other BBQ classics for sale, Mighty Quinn’s BBQ is closest to the Astor Place stop, but it’s worth the walk no matter what part of NYU you’re in.
  • A cute date spot, La Lanterna di Vittorio not only has outstanding lasagna but also sells pie that is to die for. If you’re feeling particularly indulgent, the hot chocolate with marshmallows can warm the coldest of hands and hearts.
  • Sick of waiting in line at Shake Shack but still want a good burger? Burger Joint is a small local chain with a shop near NYU that will fulfill your greasiest dreams with their burgers and fries.
  • Hungry, but only want snack food? Pommes Frites is for you. With authentic Belgian fries, large portions, and an extensive list of sauces, this food is worth the prices.
  • 1 AM on a Saturday night and craving chicken tenders? Stop by Sticky’s Finger Joint! This spot on W 8th St. will hit the spot with their hearty tenders and gimmicky sauces.

Quality Dining:

  • Run by Mario Batali, one of the most famous chefs around, Babbo has Italian food that’s out of this world, and the Michelin star to prove it. The prices are steep, though, so save up before going.
  • Also nearby and with a Michelin star is Blue Hill. If you don’t want to eat extremely early or late, though, be sure to book far in advance as reservations fill up quickly.
  • A recent addition to the Michelin guide, Sushi Zo offers impressive Japanese food. Bound to only get more popular with its recent reviews, it’s probably smart to go here sooner rather than later.

Coffee:

  • Want to keep getting hole punches in your Joe Coffee rewards card? Have no fear, there are multiple Joe Coffee shops by NYU as well! (West Village and Washington Square) The West Village storefront is small, however, so don’t count on finding a spot to camp out and get work done in.
  • An Indonesian Cafe and Ramen Bar, Kopi Kopi has some of the smoothest blends around. Don’t fall victim to the Dunkin Donuts located nearby; this place by far has better snacks and coffee to reinvigorate you.
  • La Colombe is one of the country’s largest independent coffee roasters, and their coffee doesn’t disappoint. Their shop in NoHo is a great place to stop before or after seeing a show at The Public, the theater which was home to Hamilton’s off-Broadway run.
  • Located off Mercer St. and W 3rd St., Think Coffee is small NYC chain of coffee shops which provides ethically and sustainably sourced coffee to its customers. It also provides a great place to study if you want to get off campus as they have free wifi.

Other Things to Do:

  • Close to Noho and Soho, the NYU area is a great place to shop. It might take a bit of walk to get to the stores, though, so if it’s cold, you might want to use Google Maps to see what subway stop is closest to the stores you want to visit.
  • Located near W 4th subway station, the IFC Center is one of the best places to go see independent films. On Fridays and Saturdays, they host Waverly Midnights, where they screen cult movies at midnight (as the name suggests), and they also show classic movies at 11 AM Fridays through Sundays.
  • Right off Washington Square Park is Uncommon Goods, a game cafe that hosts one of the largest collections of games on the East Coast. Open 363 days a year, this spot is always available for a late night game of Cards Against Humanity with friends. It’s $5 per person to play as many games as you want ($10 on weekends and holidays), and they’ve also got drinks, snacks, and coffee to keep you going.
  • Want to see a play or musical but don’t have the money to see something on Broadway? Have no fear, Off-Broadway theater is here! There’s plenty of shows you can see for as cheap as $15 at plenty of different venues! There’s the Gym at Judson, which was home to the New York Times Critics’ Pick Bedlam’s Sense and Sensibility; Under St. Marks, located in the East Village in a small basement which will make you feel like a theater nerd; Dixon Place, which not only hosts theater productions but also dance shows, literary events, and music performances; and Barrow Street Theatre, which starting February 14 will be putting on a production of Sweeney Todd coming straight from London.
Photo Courtesy of Joan Marcus

After a previously sold-out run off-Broadway, Lynn Nottage’s breathtaking play, Sweat, opened recently at the Studio 54 theater. The show, based in Reading, PA, focuses on deindustrialization and its lasting ramifications. In our current political climate, Sweat’s arrival could not be more timely. The show forces its audience to fully delve into the lives of blue-collar workers in America. In a country becoming increasingly divided, as evidenced through the 2016 Presidential Elections, Sweat explores and explains with breathtaking eloquence and clarity the malaise that has spread through many segments of the nation.

For those who have not seen the show, it focuses on the lives of friends working together at a local steel mill. Slowly, as jealousy flares and the workers realize their jobs–and the cultural status that came with them–are dwindling, they each begin to turn on each other. In trying so hard to save themselves and clinging to the work ideals many of their past family members have learned to expect, they are forced to find new work as the impacts of globalization and deindustrialization affect their town.

The show’s strong text is paired with skilled actors and a mundane yet detailed set. The play is primarily set in the local bar, where audience members watch the lives of these workers unfurl as if they were flies on the wall. In each interaction, one can see the close friendships of the characters. In particular, the show focuses on the close bond between two friends: Tracey (played by Johanna Day) and Cynthia (played by Michelle Wilson). In initial scenes, the two characters laugh and drink, jovially sharing stories about their students and their factory jobs, just like normal close friends do. However, after Cynthia is promoted to a role off the factory floor, jealousy flares as Tracey copes with not getting the promotion she truly wanted. As this jealously increases, tensions rise with conversations about race (as Tracey becomes convinced Cynthia was promoted solely for being Black) and the responsibilities of friendships.

To learn more about the show and how it came to be, we sat down with its playwright Lynn Nottage who–in addition to playwriting–is a Professor at Columbia’s School of the Arts. Nottage, originally from Brooklyn, studied at Brown University for her undergraduate degree and later studied and taught at the Yale School of Drama. She has won two Pultizer Prizes and received both the Guggenheim Fellowship and MacArthur Grant.

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Photo Courtesy of Jeremy Daniel.

The walls are falling apart, the floorboards are flying, and nothing seems to be going right in the show “The Play that Goes Wrong” on Broadway. This hilarious play is great for folks who loved “Noises Off” and just want a break from reality. It’s also the winner of London’s Olivier Award for Best New Comedy. What’s more is that it’s a play about a play being staged by amateurs – you can imagine the irony. The play plot is simple: a murder goes down at Haversham Manor – but who is the perpetrator? The characters embark on finding clues to figure out what occurred in the room where Jonathan’s corpse was found. The corpse does a terrible job at “playing dead,” adding to the hilarity of it all. An investigator is called and slowly the plot begins to develop as we try to figure out who the murderer is.

But, there is a plot twist. Jonathan’s fiancé was having an affair with her soon-to-be husband’s brother! Audiences observe many failed, awkward kisses, in addition to a character who seems to be very absorbed with applause from the audience (Max). Did she do it? Did he? Audiences are left guessing until the very end. Each character brings something to the stage, with their unique quirks and distinct expressions which had the audience gasping for breaths. Though the play is not for everyone, as the humor is certainly more for those who laugh at slapstick, it’s worth the watch for anyone who thinks it may suit their tastes.

With the wreckage of the set behind them, the cast of the show basks in the applause of the audience, which they definitely deserved after surviving the destruction of the set. Photo Courtesy of Joseph Marzullo.

With the wreckage of the set behind them, the cast of the show basks in the applause of the audience, which they definitely deserved after surviving the destruction of the set. Photo Courtesy of Joseph Marzullo.

Of course, the actors and actresses delivered fantastic performances – I even wonder how they held it together when the chaos of the stage falling apart was occurring. From the fainting fiancé who is always having “episodes” to the character mix-ups and stage that can’t seem to stay together, “The Play that Goes Wrong” is certainly a show that will make you laugh uncontrollably and makes for a great night out with friends. It’s whacky, it’s weird, but it’s also wonderful.

 

 

 

 

Tickets to “The Play that Goes Wrong” can be purchased here. For more information on how to get rush tickets to the show, message LionBot “How can I get rush tickets to The Play that Goes Wrong?”