Photo courtesy of Kuldeep Singh
This past week, Columbia Taal, the only South-Asian fusion dance team, hosted an event on campus called Samatva. This event included performances from Columbia Taal and Columbia Raaga, which is Columbia’s South-Asian fusion music organization. The showcase performance of the night, however, was led by junior Sophia Salingaros and her dance partner, Jeeno Joseph.
Both Sophia and Jeeno performed a series of Bharatanatyam pieces, which is the most well-known form of Indian classical dancing. The Bharatanatyam style places great emphasis on the rigidity of the upper body as well as its nuanced use of hand and facial gestures as a sort of pseudo sign language. Historically, this style of dance was meant to be perceived as an interpretation of various Hindu myths, but it has in recent times become a source of resistance against its historical stereotypes. Sophia and Jeeno utilized this movement to create powerful and moving pieces of beautiful dancing to demonstrate that boundaries—religious, gendered, and political—don’t exist in art.
The notion of samatva, the word for “equality” in Sanskrit, can be seen throughout the entirety of their performance. Sophia and Jeeno, as a non-Indian and a Christian, respectively, demonstrate the ability to break through and transcend socially constructed historical biases. Their performance itself was extremely elegant and conveyed the richness of the Indian cultural tradition, which goes to show that art itself cannot be contained by external limitations, because it is the ultimate means of self-expression.
Raaga and Taal were both perfect complements to Sophia and Jeeno’s performance because they added the element of a group performance, which allowed multiple voices to come together in unison and create something incredibly powerful.
If you missed this performance, be sure to check out Sophia and Jeeno at the Battery Dance studios on November 11th and 26th, and be on the lookout for Taal and Raaga’s next performances on campus!