Tag: film

Photo Courtesy of the Vanishing Point Chronicles

Mid-October marks many things in a college student’s life. It’s the beginning of midterms, the end of the beginning-of-semester haze, the hangover from homecoming, the warm weather’s slow abandonment. We desperately begin to count down to Fall Break, but the wait seems impossible. In this hour of need, you ask, what else but film can lift our spirits? What films and shows can we turn to?

Fall TV premieres are slowly trickling in, but for immediate therapy, check out this summer’s best premieres and releases:

  1. Dunkirk

Only Christopher Nolan can write a 70 page screenplay, cast Harry Styles as the most talkative character, and then insist that his film be shown in 70mm across all theaters in the US. And only Christopher Nolan can turn all of that into a smashing success. Based on a true story, Dunkirk is not only the most visually stunning film you’ll see this year, but also the most enthralling. Commonly mislabeled as a typical war movie, there’s really no way to describe Dunkirk to someone who hasn’t seen it. What Nolan has created is a plot line with twists and characters unlike those you may be familiar with. And that’s precisely what makes it so great.

  1. The Big Sick

I don’t think I’d be able to count the number of times I burst out laughing while watching Kumail Nanjiani’s debut feature film. A movie based on Nunjari’s own love story, The Big Sick was the romantic comedy version of Dunkirk. Nanjiani refuses to conform to the tropes that often plague this genre and instead infuses this story that isn’t really about romance at all with an incredible sense of humor and relevant social commentary . This innovative story, combined with Ray Romano’s adorably dopey performance as the girlfriend’s dad, catapults The Big Sick to the top of romantic comedies.

  1. Spider-Man: Homecoming

If you’re only planning on watching one of this summer’s blockbuster superhero hits, skip Gal Gadot’s overrated Wonder Woman for Tom Holland’s stellar performance in Spider-Man. Sure, Wonder Woman broke a glass ceiling and it’s great that a woman superhero is getting her chance to shine, but amidst the massive boost of superhero movies, Spider-Man returns to the genre’s roots. Unlike Wonder Woman and other recent films in the genre, Spider-Man is light and funny, and it finally feels like the movie-for-all-ages superhero films promise to be. Holland’s character is indeed “super,” but he’s also relatable, and I found myself rooting more genuinely for him than I had for any Marvel or DC character in a long time.

  1. The Handmaid’s Tale

If you don’t want something dark, don’t watch The Handmaid’s Tale. But if you want to experience television’s most thrilling and thought-provoking series of the summer, it may be worth it. Based on the novel by Margaret Atwood, The Handmaid’s Tale follows a dystopian futuristic America in which women are forced to return to domesticity. Our protagonist, played by Elisabeth Moss, is chosen as a breeder– and while her performance is outstanding, nothing could prepare you for the chills that will run up your spine when Yvonne Strahovski’s and Ann Dowd’s characters come on screen. In fact, nothing really could prepare you for the whole show at all, so I guess you’ll just have to watch it yourself.

  1. Unbreakable Kimmy Schmidt

I know I’ve spoken about this show before, but in this season Kimmy attends Columbia, and her observations are so spot on that it should probably be required viewing for incoming first-years. Although they filmed at UTS and not Columbia, the Kimmy Schmidt showmakers somehow found a way to harness the culture of Columbia– stress levels and all– in a wonderfully concocted season of puns, social commentaries, and Hamilton’s Daveed Diggs. Even if you haven’t watched the first couple of seasons, season three is worth your time. Maybe use it as a study break when you’re up late in Butler– and perhaps take Kimmy’s advice when she tells you there’s more to life than studying.

Photo Courtesy of CNN Money

I was born to love film.

I was raised by a family who lived and breathed entertainment. My uncle is a movie producer, my cousin a stage manager on Broadway. My grandfather, a seventy-five year old man, has overflowing DVD piles of every Disney film, Oscar-winning movie, musical, and Olympic-record-setting video that ever aired on TV. My mother stays up until 2am every night watching her TV shows (she can compete with any binge-driven college student). The entertainment industry is an unspoken staple of my family.

So, naturally, television has always been a huge part of my life. As much as my father tried to enforce TV limits, I knew from a young age that “one hour of teletubbies” meant at least two when Mom was home. Some people blast me for watching so much television, but I know I always have my family on my side, and nothing is as stimulating nor as intellectually thrilling to me.

As I grew up, I slowly became the Roger Ebert of my friend group. I (whether asked or not) would tell my friends which movies to see, which actors deserved the Oscar, which television show was an overly dramatic waste of time. My past and current boyfriends have all gone through a “movie-education,” and I have never missed an awards ceremony (even when I was on the other side of the world and had to wake up at 2am and surf the web for hours before I found a live stream). I’m pretty darn serious about this stuff.

But enough about me. All of this was an introduction of sorts, a drawn out way for me to prove to you that I am indeed qualified to write this column. Sure, I’m a religion major who has yet to write that breakthrough screenplay that earns me a seat at the Golden Globes, but I’m opinionated, nonetheless, and born to movie-educate the masses. So, on that note, let’s dive right in.

It would be amiss not to begin this bi-weekly column with a post that addresses the insanity currently sweeping over Hollywood. This week’s SAG awards were filled with emotions– from numerous actors speaking out against President Trump’s executive order on immigration to Denzel Washington upsetting Casey Affleck and Ryan Gosling for best actor. (Who saw THAT one coming??) The Oscar nominees have been announced, snubbing Taraji P. Henson for her role in Hidden Figures and controversially allowing disgraced anti-semite Mel Gibson in the running. Questions surround the fate of Asghar Farhadi, the Iranian nominated director who may not be able to attend the February 26th ceremony due to Trump’s ban, and NBC’s Dick Wolf is trying to squeeze out more money by making yet another Chicago show.

You’ll notice that most of these have to do with politics. 2016 (and so far 2017) has been a banner year for the Hollywood-Washington crossover, with celebrities becoming more involved in a presidential election than perhaps ever before. Aside from the usual backing of presidential nominees, Hollywood stars have not missed an opportunity to share their feelings about the new president. John Oliver made it his life’s mission this season to convince viewers to vote for Clinton. Meryl Streep (who’s NOT overrated, Mr. President) called Trump out during her acceptance speech at the Golden Globes. Lin-Manuel Miranda (creator of perhaps the most overtly political show on Broadway– though also the most amazing) has been incredibly vocal about his hatred for the new president, and Lorne Michaels was awarded one of President Obama’s medals of freedom, arguably because of the recent politically-driven season of Saturday Night Live. On the flip side, celebrities like Kanye West and John Voight have come out in support of President Trump, though they are in the minority of Hollywood stars. In fact, political opinion in Hollywood has become such an expectancy this past year that celebrities who didn’t pipe in about the election (like my main gal, TSwift) have been getting a lot of flack.

Now, this column isn’t about politics. This column isn’t about the 2016 election, the current president or his policies, and this column definitely isn’t about my own political views. This is a column about Hollywood and the entertainment industry, but the two have become so mixed recently that I find myself wondering– is there a separation?

I truly believe that artists have a valuable and irreplaceable role in society. At times, I’ve found answers in film and television to questions so deep and personal that I didn’t even know I struggled with them until an actor or a writer put them in front of me– and the film industry could not do this without delving into the thick of things, attacking the personal and the relevant when no one else dares to. But, as I watched the nastiness of this past year’s election grow, I wondered if recognizing limitations was something Hollywood has yet to learn.

As much as intellectuals might deny it, celebrities have an enormous amount of influence in modern society. We may not realize it, but we look toward Hollywood as an escape. We see celebrities through our rose-colored glasses; when we hear about their lives and opinions, we hear them the way we hear lines on a screen or words on a page. We don’t know it, but we instinctively give them a reverence we don’t give the guy who lives next door, or even the news anchor who brings in an expert we’ve don’t recognize to talk about the election. And when we give them this level of reverence, we give them power. So much power that, when they tell us their opinions, we cloak them in veils of absolute truth. And, so, the question is: Is Hollywood sticking its nose into the political arena making the political climate better or worse? When do they step up and use their public platform for good, and when is it just a bully pulpit? Are actors’ opinions something we need to hear just because they have a mike and a camera beaming out to millions of people?

It doesn’t matter whether I (or anyone else) agree with the stand certain celebrities took and continue to take about the current President and his policies. The point is this: there are people who voted a certain way because John Oliver or Kanye West told them to, and that is freakin’ terrifying.

And so, Hollywood, as one of your most devoted fans, I make a plea: I ask that you recognize your influence, but also acknowledge your limitations. See where you can inspire, but also understand where you can hurt. Trust your audience to engage, but also trust them to be individuals. Remind us of the magic of the movies, but never try to rob us of our own thoughts. I think it’s time Hollywood began anew, forgot about politics for a little bit and focused on creating art on a more personal and nuanced level. And maybe then, the political climate (and also the comedy late shows) will begin to improve.

Keep on watching,

Yael
P.S. Stay tuned for my first pick on your Must See Binge list!

Earlier today, the CU Now team released it’s newest video, CU News Tonight, a new show that looks to make light of events affecting students at Columbia.

CU Now, a series started by Shreyas Manohar (CC ’18) is known for its popular Shreyas on the Street series that follows Shreyas around campus talking with students.

Rather than bore you with multiple paragraphs telling you why you should watch their work, we recommend you check it out for yourself below.