Tag: media

Hello Columbia! My name is Remi (CC’20), and I’m the Creative Director for the Lion. I turned eighteen a few weeks ago, I have no idea what I want to do with my life, and I really love cats. One week ago today, I got a press pass to Bacchanal, and here is what went down.

No, this is not me pretending to write for Buzzfeed. Okay, maybe it is. Don’t judge. I’m fulfilling a fantasy, okay?

No, this is not me pretending to write for Buzzfeed. Okay, maybe it is. Don’t judge. I’m fulfilling a fantasy, okay?

Wednesday night before the concert the Bacchanal e-Board invited us press pass holders to discuss logistics (at like 11pm – and I had an exam the next morning, whoops). There were four of us: the Lion (me), Bwog, Spec, and something they called the “Bacchanal Press” which I’m pretty sure was them hiring CPS photographers to get their own pics of the event. The press pass gave us access to both the ‘private’ viewing areas directly to the left and right of the stage on Low steps in addition to the regular mosh pits (on map labelled “Front Viewing Areas.” We were also told we’d be given limited access to the middle aisle in front of the stage for a few minutes per act to get some close up shots.

Image courtesy of the Bacchanal e-Board.

Image courtesy of the Bacchanal e-Board.

We were told that last year, the Bacchanal committee only gave out one press pass, which they explained to us was a total disaster in that the individual was backstage very drunk and made the committee look terrible. As a result, Public Safety significantly limited our access to the middle aisle area this year. On that note, only myself and the Bwog rep showed up to that first meeting.

The day of the show, we met at the side entrance to Low at 9:30 am to pick up our wristbands and purple press passes.

They used my I.D. photo. Ew, am I right? Look at that shine.

They used my I.D. photo. Ew, am I right? Look at that shine.

I went up to hang on Low steps at around 12pm, in preparation for the show to start at 12:30pm. The show actually started at 1pm, but they kept telling us to advertise a 12:30pm start to get people to show up.
The first act was a student opener, Battle of the Bands winner THOU SHALT NOT Entertainment (made up of Vanessa Chadehumbe, Tarek Deida, and Jenny Goggin). Before the show started, Vanessa complimented my blue lipstick. I was in a little bit of shock! She’s a pretty rad person and super nice, you guys. When you’re rich and famous, please remember me and hire me to be your photographer! –sobs

These guys know what’s up.

These guys know what’s up.

Let the show commence! THOU SHALT NOT did an amazing job, even if there were only a dozen spectators on either side. There was a student group as backup dancers who were also pretty spectacular. Unless told otherwise, you definitely would’ve thought they were a professional group. Check out their Soundcloud here.

Jenny Goggin of THOU SHALT NOT.

Jenny Goggin of THOU SHALT NOT.

Vanessa Chadehumbe and Tarek Deida of THOU SHALT NOT. So fierce.

Vanessa Chadehumbe and Tarek Deida of THOU SHALT NOT. So fierce.

Next there was about a twenty minute break before the second act: Mykki Blanco. For those who don’t know, she is a poet, rapper, and activist originally from California. During her performance, she got the audience to chant phrases like, “Protect Trans Women,” and “Protect Black Children.” Very Columbia.

Goddamnit, CAVA, messing up my perfect shot. Mykki still slays, though.

Goddamnit, CAVA, messing up my perfect shot. Mykki still slays, though.

It was honestly wild, though. About a minute into her performance, she leapt off the stage, jumped three fences, and took a stroll down College Walk. The other photographers and I were clicking away literally running after her. It was the first time I’ve ever felt very ‘paparazzi-esque,’ but it was fabulous. She then ran across the railings leading towards Low; you could practically feel Public Safety having a panic attack.

Lol wut are you doing?

Lol wut are you doing?

 

You go, Glen Coco. You live your best life.

You go, Glen Coco. You live your best life.

Next came D.R.A.M. (Does Real Ass Music; real name Shelley Marshaun Massenburg-Smith). You may know him for his song Broccoli featuring Lil Yachty, which was nominated for a Grammy Award last year. The crowd was starting to seriously pick up at this point, and the atmosphere reeked of stale alcohol and low expectations. The pens were pretty much filled by this point – there were girls sitting atop shoulders above the crowd; a steady thumping as the audience jumped up and down. The lawns, of course, were packed, their residents either not possessing tickets or unable to be bothered to get swept into the crowd of sweaty, drunk teenagers. Sticky!

Yass.

Yass.

D.R.A.M. got the crowd pumped up!

D.R.A.M. got the crowd pumped up!

Things got a little hazy. The DJ Almand came on and gave a steady performance of his own techno / rap mixes, and kept changing into wacky costumes with each song change.. Despite the stupor, you definitely got the sense that everyone present was having a pretty good time. Lines to get into the pens snaked around the corner while popcorn and Rice Krispie squares were being given out by the handfuls. Unfortunately I wasn’t able to get any clear shots of Almand due to the Bacchanal committee sort of forgetting about us press people? It’s all good; poor guys, they seemed so stressed. Almand’s music was great, though, and he really engaged with the crowd, coming down off the stage and taking selfies with the crowd. At one point he took someone’s phone and took a picture onstage with the crowd!

Aluna Francis of London-based electronic duo AlunaGeorge.

Aluna Francis of London-based electronic duo AlunaGeorge.

I texted them halfway through AlunaGeorge and they were able to let in us. She was so much fun: the perfect concluding act! I don’t feel like that many people were familiar with her songs, but they were catchy, lively, and caught on quickly with the crowd. The viewing areas were super packed, and there was a lot of wild fist pumping going on. I saw a lot of glitter. There was enough glitter for a lifetime…

And the crowd goes… WILD!

And the crowd goes… WILD!

During her last song, she invited a bunch of people from the private, Low steps viewing areas onto the main stage. I, unfortunately, was not among such elite ranks, and had been taking pictures from the crowd. Oh well! It was super cool to see normal people having some fun onstage – and a very nice closing touch. I actually wasn’t there because I lowkey got tired right before the end and went back to my room to destress. I live in John Jay, and have a nice room facing Low – and was able to get this pretty nice shot of the end of Bacchanal!

Yeah, my view’s pretty swanky. I stuck my camera lens out the tiny amount we’re allowed to open our windows.

Yeah, my view’s pretty swanky. I stuck my camera lens out the tiny amount we’re allowed to open our windows.

My thoughts and reflections?

Overall, getting ~backstage access~ and a ~special pass~ was pretty fun. 9/10 dentists would recommend. If you have the opportunity to get special access to Bacchanal another year – whether that might be being apart of the planning committee, or for one of the publications or performance groups, I’d check it out. It let me experience the event in a really special way, and I’d definitely be open to doing it again. It got me out of my comfort zone, which is what college is all about!

Bacchanal itself was pretty cool! It was my first, and a good first, I think! The music was great, I loved the student openers and the craziness of some of the performers. I’ve never been that much of a party/concert person, but I feel more open to them now after forcing myself to go to Bacchanal.

Whether you got to be apart of the crowd, casually observed from the lawns, or flaked altogether, one thing is sure – Mykki Blanco’s green hair slays for centuries.

~
If you liked these photos, click here to see the full album on the Lion’s Facebook page, all personally shot (unedited – I ain’t got time for that!) by yours truly.

By Yael Turitz (BC ’19)

I have a confession to make. I’m an addict.

No, I don’t struggle from alcoholism, or drug addiction, or even the newly psychologically recognized video-game addiction. I’m addicted to television.

I don’t mean to delegitimize the mental illness that is addiction. Thank God, I have never suffered from drug addiction or anything of the like and do not begin to claim I know what it feels like. And yet, I believe I too am an addict.

Addiction: “An unusually great interest in something or a need to do or have something” (Merriam-Webster).

It’s 1AM on a Tuesday night and the man is turning his back on the only person who’s ever cared about him. His friend catches on, and suddenly it’s a brawl through the abandoned warehouse in Manhattan. With one knockout punch, it’s over. The screen turns black. I look over at my clock. 1:06AM. ABC’s Castle is over. My body is exhausted, but my mind is just getting started.

“Television is the bane of this generation.”

“The problem with today’s teenage population is that they spend too much time with their eyes glued to the television and never do anything productive with their time.”

“Studies have shown that people spend more time watching television today than they do working, or exercising, or having personal interactions.”

I’ve heard it all before. Grumbles of the men in my synagogue, the professors in my history class, my grandfather. But it can’t stop me.

My imagination thrusts into action. I take each individual character, major or minor, and imagine her background, his family life, his career plans, her goals. I forge relationships between characters, and I create new characters, to establish new bonds or to wedge distances between old ones. I get lost in my own mind.

I want to be a writer. Not a journalist, not an editor—a bona fide fiction writer. I know it’s crazy, idealistic, naïve- but nothing gets me going like a well-crafted story. My idols include people like Jane Austen and Aaron Sorkin.

When I watch an episode of the West Wing, I’m not aimlessly watching a laptop; I’m actively engaging with Josh and Donna and imagining just how beautiful Sorkin’s banter looked on a page. When I watched Downton Abbey each week (oh boy, here comes the loss-of-Downton tears), it wasn’t a time-waster; it was a gateway into a world of characters and story-lines I could mold in my mind. Episodes inspire me to do what I love.

It’s an addiction because it’s a need. Once I get going, there’s no stopping me. I need to see how my imagination from last week measures up against The Good Wife’s professional writers’. There’s an incredible satisfaction when I get it exactly right, and I get a bit smug if I think my story was better. Of course, many times I’m awed when the plot takes a twist I never saw coming. But I am only fully content when I’ve resolved this creative discourse going on in my head. Only then can I peacefully fall asleep.

Am I wasting my time? Sure, I could exercise more. (Actually, I probably should exercise more, but that’s beside the point.) And sure, sometimes I watch TV while procrastinating from doing work. But you know what? I resent the bad rap television has gotten. There are definitely shows out there- think Keeping Up With the Kardashians- that are a mindless waste of time. But quality television is not pointless. An episode of Homeland is just as gripping as Stephen King’s latest novel. Gilmore Girls’ script is as smart and creative as any Oscar Wilde play. And you can learn from shows like The Big Bang Theory or The Newsroom. I know many will hound me for attributing such greatness to the medium of modern television—but honestly, TV writers are some of the greatest creative minds of our time. And it’s not fair to them when we blatantly characterize their work as a “waste of time.”

I’m addicted to fiction, to plot-lines, to characters, to twists and turns. I get a high, all in my own mind, off of stories. Stories spark the creativity inside of me, and my passion for stories is fueled by shows on television. One day, I dream of being the one sitting behind the scenes as the cameras roll and the actors speak the words I’ve written. And one day, when you insult the medium of television, you’ll be insulting my hard work. TV writers deserve better than that. Our openness to creativity deserves better than that.

Also, if you need any series suggestions—hit me up.

 

Left: an educated Black Man Right: The “thug” society sees

“Open the link. Let’s see the results.”

I sat in front of my computer with the dreaded email that read, “Admissions Decisions have been released. Please login for your decision.” My friends and family had been supporting me over the past four months as I worked to polish all of my college applications. Now it was finally time to see the fruits of this collective labor. Pushing my fears of rejection aside, I clicked the link and to my delight, the sounds of “Roar, Lion, Roar!” roared from my computer and I saw the digital letter that stated that I was accepted to Columbia University.

Those months of hard work had finally paid off. On May 1st, I entered my high school proudly wearing my Columbia sweatshirt for National College Signing Day. It felt as if nothing could ruin my day at that point until I heard someone whisper to a peer, “He only got into Columbia because he’s Black.” Upon hearing that, I was insulted that someone would want to belittle my achievements because of my skin color. Rather than be happy for my success, I was only viewed as another minority student given an easier chance of getting into a top college.

In addition to facing misperceptions such as this in regard to academic achievement, Black male students are faced with negative perceptions of their race and character in the media. During the protests in Baltimore over the murder of Freddie Gray (a young Black man killed by police officers), media outlets actively chose to depict Black youth as thugs and criminals, bent on looting and destroying their own city. Instead of portraying one of the numerous scenes in which Black youth peacefully protested for justice for the murder of another young person of color, media outlets like CNN chose to only show video footage of pharmacies on fire, Black mothers beating their children, and Black students creating chaos in the streets. Yet when primarily White groups start protests over issues such as their favorite sports team losing a game, media outlets label them as mere disruptions – even when they cause more damage. For our current time period that media outlets have touted as part of the “post-racial” era, America’s media coverage of Black youth harkens more to 1968 Civil Rights-era protests.

This misperception of Black youth as criminals rather than as academics has led to nationwide movements to dispel these derogatory stereotypes. One movement, the “I, Too, Am Harvard” photo campaign has explored these issues by showing a set of photos in which Black Harvard students hold whiteboards with notes describing their experiences. These experiences have ranged from being called White all the way to being told that being Black makes being admitted to college so much easier.

Now, you’re probably wondering: What do protests and media portrayals of Black youth in places like Baltimore have anything to do with perceptions of Black students in schools?

While these two ideas seem quiet disparate, they both are entwined with the underlying American issue of racism. Even as our nation espouses national unity under the auspices of patriotism and accessibility to higher education, we fail to ensure that everybody has an equal chance at these opportunities. In a 2015 report by the National Center for Education Statistics, only fifty-nine percent of Black males graduated high school on time in comparison to a whopping eighty percent of White male students. For a nation based on the premise of every person having a fair chance to succeed, it is clear that this is far from the reality. And even worse, with a subconscious public sentiment that Black people are dangerous, ratchet, and/or inept, these statistics do not do much to help improve the image of Black people in America.

By being subconsciously characterized in a negative light in the public eye, the system has become cyclical: pushing Black students into poverty and out of the realm of higher education. But even when a Black student is able to escape this vicious cycle, they are still belittled due to these preconceived notions of what it means to be Black. From off-hand comments such as “You’re so White,” to “Being black must be nice… especially for getting into college,” it is abundantly clear that this “new” America has yet to accept the Black community, but rather still looks down upon it. In our “post-racial” nation, people still do not accept people of color as talented students, but rather as simple objects to represent diversity.

So when I heard that classmate say that my acceptance to Columbia was a result of my race, they were subconsciously thinking that the color of my skin defines my intelligence, and that nothing I could do would ever be as great as that of a White student. Even though this nation has made great strides in trying to reduce racial dispairites, we still have a long way to go. And the first step towards a brighter tomorrow is recognizing these pejorative misperceptions.

The Lion is the only on-campus publication that pledges to accept all submissions (even anonymous). To respond to this op-ed or send in your own piece, email submissions@columbialion.com

Over break, CUIT updated it’s channel lineup adding several new channels along with the addition of increased HD availability. In order to view new channels, students will need to use their TV’s rescan feature to gain access to cable television. Along with this change, several channels have switched channel numbers.

From their website:

All televisions will need to be autoscanned on Thursday, January 14, 2016 after 8AM to pickup the new channel lineup being provided by CUtv.

New channel editions include the NFL Network (HD), France 24 (SD), and BBC America (HD).

The updated channel lineup can be found here.

Looking to make an impact on campus? Consider applying to join The Lion. We’re Columbia’s newest publication and the only one that pledges to post all submissions that meet our submissions policy. In addition to serving as a forum for campus discourse, we are developing products and tools to serve and connect the community.

 

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