Tag: musical

Photo Courtesy of Joan Marcus.

The demon barber of Fleet Street has arrived in New York, and he’s come with a vengeance. With performances starting on February 14th, the Tooting Arts Club Production of Sweeney Todd has opened off-Broadway after previously playing in London. In following the style of the London production, which was hosted inside of Harrington’s Pie shop, the team has completely redecorated the Barrow Street Theatre in a similar fashion.

Indeed, upon entering the small theatre, one goes from a standard entrance into what looks and feels like an actual pie shop. This experience is intensified with a special addition: the option to purchase a pre-show pie and mash. Best of all, the pie and mash is created by none other than owner of The Perfect Pie company and former White House pastry chef, Bill Yosses. The pies come out hot and fresh and were a fantastic experience as audience members get ready for the show.

“Whatever pie you like, he will make it, and it will be the best pie you have ever eaten.” – President Barack Obama. Photo courtesy of Sweeney Todd NYC.

“Whatever pie you like, he will make it, and it will be the best pie you have ever eaten.” – President Barack Obama. Photo courtesy of Sweeney Todd NYC.

As quick as Yosses dishes out his signature pies, the pie shop quickly switches into performance mode as the actors begin mingling with the audience and preparing to take over the kitchen.

After clearing customer dishes, the lights dim and the actors get ready to start the show. For this production, the orchestra is pared down to the bare necessities: a piano, a violin, and a clarinet. Even though they were small in number, the orchestra performed beautifully, adding the perfect musical flair that helped to convey the tones of any given scenes.

The show’s interactive format worked fantastically with this Sondheim classic: actors walk along pie shop tables and are entering the theatre from numerous entrances. From the start, the viewer feels as if they themselves have been thrust into the lives of these character struggling to seek revenge and find love in an unforgiving world. In this musical thriller, Sweeney Todd (formerly Benjamin Barker) is a loving husband and father and professional barber until a Judge Turpin, enamored with his wife, sends him off to Australia. Upon his return several years later, he learns his daughter, Johanna, is a ward of the Judge and, after finding his old shaving razors, enacts a plan with nearby pie show owner, Mrs. Nellie Lovett, to kill many of his customers and turn them into pies as he waits to seek revenge on the Judge that ruined his life. Indeed, the show represents many of these horrific scenes with a stunning combination of music and lighting in order to showcase the power of the characters and add significance to the scenes in which these people–who have their own lives and experiences–are turned into cheap pies sold to anyone.

Within the show, the actors themselves phenomenally portray the characters they play. In particular, Siobhán McCarthy plays her character Mrs. Lovett astonishingly well as she effortlessly develops the character from a optimistic pie shop owner to a woman clearly gone mad, clinging at anything she can to keep her devious plan with Todd alive. 

Jeremy Secomb and Siobhan McCarthy star as Sweeney and Mrs. Lovett respectively in the production of Sweeney Todd at the Barrow Street Theatre. (© Joan Marcus)

Jeremy Secomb and Siobhán McCarthy star as Sweeney Todd and Mrs. Lovett respectively in this New York City production of Sweeney Todd. Photo courtesy of Joan Marcus.

Her performance is equally matched by Jeremy Secomb, who drives fear into even the audience in his chilling take on Todd. Within every scene he appears, Secomb quite easily asserts his character’s dominance in the theatre while also beautifully revealing the complex layers of Todd, a man heartbroken over the loss of his family yet driven by anger and blood hungry revenge.

With its intimate environment, phenomenal casting, and great pie to boot, this show is one that every person should run and see.

Tickets to Sweeney Todd: The Demon Barber of Fleet Street can be purchased at sweeneytoddnyc.com with tickets currently being sold through August 13th.

Welcome, welcome to theater! After going over our last guide to discounted Broadway tickets, we realized that there are even more resources out there for students to utilize to get cheaper tickets to both Broadway and Off-Broadway productions.
Run by Columbia, the Arts Initiative provides students with discounted tickets, most of which can then be picked up at the TIC in Lerner. This is a great way to get tickets, but you have to be fast because they do sell out quite quickly.
If you’ve got luck and persistence, Broadway Direct has online lotteries for most performances of some of the biggest productions around, including The Lion King and Cats. Depending on the show, winners pay anywhere from $10-$40 for their seats, which is more than half off regular pricing.
Being a theater-goer and being a student at the same time isn’t always easy on the wallet, and the Roundabout Theatre Company understands that. So, if you’re between the ages of 18-35, you can be part of their low-price ticket program, HipTix, for free. By becoming a HipTix member, you can buy up to two $25 tickets to each Roundabout Theatre production. While these tickets may not be orchestra seats (unless you upgrade your membership to Gold or Platinum), you can’t beat the price.
Offering discounted tickets for both Broadway and Off-Broadway productions, Tix4Students is another website which allows students to purchase show tickets without leaving the comfort of their dorm room. By linking students to offers and giving them a member discount code, ticket prices through this site range from $25-$70, depending on the production and location of the seats.
General Broadway Lotteries:
Some productions choose to host lotteries for tickets on their own personally-tailored sites instead of using Broadway Direct or TodayTix. It can be hard to find these lotteries sometimes, or just plain annoying to google them everyday. So, here are all the ones with individual sites for your convenience:

 

Updated January 26, 2017

Meet Brandon Victor Dixon. Dixon, a Columbia College Class of 2007 graduate, is a two-time Tony Award Nominee. During his career, he has performed in various Broadway shows (including Columbia’s very own Varsity Show). Starting in August 2016, Dixon will assume the role of Aaron Burr in Lin Manuel Miranda’s hit Broadway show, Hamilton: An American Musical. As he prepares for his role, I sat down with him to talk about his career in the performing arts and his insights on pursuing your dreams and excelling in your career.

What did you study while at Columbia, and do you have any favorite memories from your time there? 

I was an Economics major initially. I left after my first semester senior year, but when I came back and I finished, I was a theater major. My favorite memories from school were of working on the Varsity Show V107 and V108.

What first sparked your interest in theater, and how did you explore that field as a student? Was it mostly through the Varsity Show?

I came to Columbia because I knew what I wanted to do, and I just wanted to go to school in New York so that I could audition and build my career. That’s why I came to Columbia, and I appreciated that Columbia had a campus, and a vibrant curriculum that I could delve into and expand my information base in general. But no, I didn’t go to Columbia to train, or help my career, though a lot of the work I did and the classes I took were of great help and education to me in the theater department at large. I came to Columbia so that I could be in New York.

What were some of the shows you’ve performed in prior to Shuffle Along, and now, Hamilton starting next month?

The Lion King, The Color Purple, Rent, Far from Heaven, The Scottsboro Boys.

With your recent casting as Aaron Burr in Hamilton, how are you preparing for the role? Are you nervous about anything about it?

Nope. It will be a good time. I’m working on a lot of the movement. The movement style is a little different for me so I’m focusing on the movement, but I’m approaching it like anything else. I’m doing my research. I’m learning the material. It’ll be interesting replacing someone in such a big and involved show. I’m going to be learning it even as I’m performing it.

What’s the most surprising or interesting that’s happened to you while performing and go like backstage?

While performing I fell in the orchestra pit one time. That’s one of the more interesting things. I can’t really think of anything that stands out about anything that’s happened backstage but definitely falling in the orchestra pit, that was an interesting one.

 What has been your favorite role to perform so far and why?

Eubie Blake in Shuffle Along. I’ve learned more about myself as a human being in this show and about all of us as human beings in the show. Also, it’s a culmination of everything that has come before it, so you know, it embodies all of the things that you see.

What general advice would you give to students interested in pursuing their career in theater and the performing arts?

The thing I’d say to anybody interested in pursuing anything: there are no rules, your power and ability are limitless, and keep going.

With Hamilton, did you know that you wanted to play Burr, or did they offer that role to you?

I didn’t want to be Burr … I wasn’t interested in doing the show because it’d been done. I don’t tend to replace. My goal is almost always to create something new but this is a unique show, and a unique opportunity and it came on at kind of the right time. The more they talked to me about it, and the more I thought about it, the more excited I did get about the process of joining the show. I am happy; it’s going to be a new experience.

What keeps you excited about being in theater? Is it that the audience has you perform? Is it just the idea of taking on the role of a new character? What motivates you or drives you?

Creating. Creation is what drives me. The reason we are here on this planet is to connect more deeply with ourselves and with each other, and art, and performance, and theater I think is a tool that I’ve come here with to make use of. Creating stories in this way, particularly … In art in general, particularly in live theater, it is a highly communicative, community experience. We get to share something special in that moment of time and that room with one another … And we leave transformed, and that is the important to evolve, to transform, to emote, and to connect with one another.

Since a lot of the people who will be reading this are incoming students, like this is their first time in New York, some have never seen a Broadway show. Do you have any advice for them like for shows they should, or general ideas and tips about what the magic behind Broadway is, in a sense?

The magic behind Broadway is that the people on stage create something from nothing. It’s creating magic, and it helps inspire you to create something from what you have. New York is a cultural bastion unlike any other. So see everything you can, do everything you can. Big, small, do it all.

 As you prepare for Hamilton, what’s your favorite song so far, whether it’s one you’ll be singing, or one some other character will be singing?

My favorite track in Hamilton is Guns and Ships but my favorite song to sing in that obviously is Wait for It.

Can I ask why Wait for It is going to be your favorite one to sing?

I think because I’m exploring the detail of the song but the thing that it sticks out for me is the chorus. Not a love, nor death, nor life, you know. It says,

Life doesn’t discriminate

between the sinners and the saints

it takes and it takes and it takes

and we keep loving anyway

we laugh and we cry and we break and we make our mistakes

And if there’s a reason I’m still alive

While everyone who loves me has died

and I’m willing to wait for it.

So minus the coda at the end, it’s that element of that’s true. Life is that, as is love, as is death, and they are all phases of the same thing, and they do not discriminate according to who you are.

Whether you are good or bad, it’s going to take something but you have to keep giving to it. It’s kind of a mini-encapsulated message about the circle of life, and what living is about. It’s a song with no resolution. He doesn’t figure anything out by the e`d of it. He starts affirming something, and then he starts questioning it, but then he finds himself left with a question in the end of it. It’s interesting piece but it’s one that’s resonated with me.

Brandon will begin performances as Aaron Burr in Hamilton: An American Musical starting in August 2016. For tickets to the show’s New York production, visit the show’s Broadway site.

Interested in interviewing students and alumni about how their time at Columbia has shaped their experiences and outlook? Join The Lion Profiles team by sending an email to team@columbialion.com.

Photo Courtesy of the Varsity Show

Last night, members of The Lion went to watch the Varsity Show’s 122nd production. We’ve compiled our take as well as comments we collected from students at the performance to help you decide whether you should go watch the show.

Comments from Lion Writers:

Upon entering Roone, we were handed the show’s booklet styled in what appeared to be a Blue and White Magazine. As we perused through the booklet, the show’s creative team divulged detailed interviews of the cast along with a breakdown of the show that hinted the show would be starting fashionably late (16 minutes to be exact) and a whole host of other humorous content. But even though the guide indicated the show would conclude by 10:18PM, it did not end until 10:48. We don’t know what happened there, but we were more than ok with that.

The show was absolutely phenomenal. From start to finish, the show captured the audience’s attention and with a good dose of humor, recanted many of the motifs commonly found in Varsity Show productions. Bar some sound issues with the microphones, it was quite clear how much effort went even into the smaller details of the show. Even when approaching controversial topics, the writers successfully created jokes that poked fun of the issues, but were not controversial to cause backlash or offend students and staff.

It was also nice to see a same-sex relationship featured as a major component the show. As far as we are aware, this is the first instance of this in a Varsity Show production and it was nice to see. The audience felt the same way based off the loud cheers that emanated throughout Roone.

If we had to pose a criticism, we would say the show was a bit too ambitious. In trying to incorporate so many issues into one two and a half hour production, it felt like several details were ignored. For instance, Jenny Park, the protagonist (played by April Cho CC ’17), refers to being a first-generation student, but this plot point is not really fleshed out. In addition, the show clearly tried to update itself to incorporate more topics given the addition of references to the proposed new sculpture set to be installed in front of Butler Library. It would have been nice to see points like these incorporated into the production that were more than just a few comments.

Overall, we would highly recommend going to the show. It was an ambitious production, but it definitely lived up to much of its hype.

Comments from students and alumni:

To better understand student reactions to the production, our team went out and polled students from a variety of academic years and backgrounds about their reactions. Check out what students said below.

“I want someone to look at me the way Professor Wilkenson (Henrietta Steventon) looked at that wine bottle” – SEAS ’17

“Is it bad I could easily imagine Dean Kromm prancing around campus in colonial wear?” – CC ’18

“Lin-Manuel Miranda, you have some competition coming from uptown” – CC ’18

“I actually thought I would die laughing when they all started singing ‘There’s a dead white man inside us all’ ” – CC ’19

“How do these people have the time to write and create an entire musical in a semester? That was phenomenal. I cannot imagine the amount of work that went into making that.” – CC ’17

“I liked the part where George was expelling students and then became ambivalent to the show.” – SEAS ’18

“Who did the reading for today? I’m sorry, I meant, Who wants to talk about the reading we were supposed to do? That’s was too real. Literally what every CC class is like”  – CC ’18

“Their take on campus activism was spot on.” – SEAS ’16

“How does a dead white man get into Pith and I’m still on the damn wait list???” – CC ’18

“I couldn’t stop laughing after Professor Wilkenson (Henrietta Steventon) yelled at Shreyas Manohar’s character to check his privilege after he desperately asked for help” – CC ’19

“I liked the show from two years ago a lot more” – SEAS ’18

The Varsity Show is performing through May 1st with showings at 2PM and 8PM. Be sure to buy a ticket (starting at $7) from the TIC or online here.

Have a comment or response you want to share? Comment below or email us at submissions@columbialion.com.